Essays  /  Essay
7 min read

Every brand wants to look successful. Almost none want to be.

Looking the part is cheap now. Being the part is the only thing that was ever expensive — and almost nobody wants to pay for it.
NL
Nicu Lepadatu
written, not ghostwritten

I’ll be honest before I start — this one is more about me than about you. I’ve been guilty of every single thing I’m going to write here, and a few of them I’m still guilty of on a bad week. So read this less as a lecture and more as a man arguing with the person in the mirror. He doesn’t always win.

For a long time I confused looking successful with being successful. I think most people do. I think most brands do too, which is the whole reason I get paid, and which is also the thing that makes me a little sad about the work some days.

Let me tell you about a meeting.

A while back a guy comes to us — nice guy, good energy, the kind of person you’d want at a dinner. He wants a rebrand. New logo, new website, the whole package, and he wants it fast because he’s “about to scale.” He shows me his Instagram on the way in. Rented car in the cover photo. A watch I’m fairly sure he doesn’t own. A quote over a sunset about the grind. And I’m sitting there nodding, and the entire time my head is doing this quiet math: this man has spent more energy looking like a business than building one.

So I asked him the boring question. The one nobody likes. How many paying customers do you have right now, today, who would notice if you closed tomrrow.

Long pause. Then a softer number than the Instagram suggested. Much softer.

And I want to be clear — I didn’t think he was a fraud. I liked him. That’s the part that gets me. He wasn’t lying to us. He was lying to himself first, and we were just the next stop. He had built a beautiful front door and behind it was a house with no kitchen, no plumbing, no one home. He wanted us to paint the door.

We see this constantly. The order is always backwards. People want the trophy before the game, the body before the gym, the brand before the business. And the cruel little secret of our industry is that we can give it to them. We genuinely can. We can make a six-month-old company look like a fifteen-year institution by Friday. Good photography, the right typeface, a confident line of copy, and the whole internet believes you. It’s cheaper to look serious than it has ever been in human history.

That’s the trap. When the costume gets cheap, everyone shows up in costume.

Looking the part used to cost something. Now it’s free — and being the part is the only bill left that nobody wants to pay.

Read that twice, because it took me twelve years to feel it in my stomach instead of just nod at it.

Here’s the thing about appearances. They have short legs — that’s a saying back home, a lie has short legs, meaning it runs fast at first and then trips on its own feet. A look gets you the meeting. A look gets you the first date, the first client, the first round of applause. And then reality walks in, sits down, and asks to see the actual house. Substance is just whatever’s still standing after the photography leaves.

I think about this guy a lot, because he’s me from a few years ago. When Clan was young I wanted us to look bigger than we were. I wanted the case studies before we’d earned them, the testimonials before we’d done the work that deserved them. There’s a version of me that would have spent the rent on a logo for the agency instead of on actually getting good at the thing the logo was promissing. I’m not proud of that version. But I understand him. He was scared. Looking successful is what scared people do while they figure out wether they can stand being looked at up close.

And this isn’t only a business disease. It’s the water we all swim in now. Every hen brags about her chickens — another one from home, meaning everybody’s out here parading the one good thing they’ve got and quietly hiding the coop. The marriage that’s on fire in private and radiant on the feed. The car that’s leased to make a salary look like wealth. The founder who hasn’t paid himself in eight months posting about freedom. We have built an entire economy on the gap between how things look and how things are, and then we wonder why everyone feels like a fraud. We feel like frauds because, on the metric we’ve all silently agreed to compete on, we kind of are.

I had a friend — won’t say who — who used to drop the names of the people he’d met like coins on a table. This founder, that investor, dinner with so-and-so. And one day I realized I had never once heard him describe a thing he’d actually built. Not one. He had a flawless map of rooms he’d stood in and nothing he’d put in any of them. He looked, from the outside, like the most connected man I knew. Up close he was the loneliest. The looking had eaten the being. There was nobody left in there to connect to.

A brand is not what you say about yourself on a good day with good lighting. A brand is what survives a bad one. Everything else is a costume — and the bill for a costume always comes due in public.

So what does being it actually look like, since I’ve spent half this essay roasting the alternative.

It’s slower, for one. Embarrassingly slower. Being good at something is the least photogenic process on earth — it’s reps, it’s boredom, it’s doing the unglamorous version of the thing on a Tuesday when nobody’s watching and there’s no content in it. There’s no sunset quote for the four hundredth sales call. Nobody posts the part where you redo the deliverable three times because the first two were fine but not true. Substance happens off-camera, almost on purpose, like it’s shy.

It’s also quieter. I’ve noticed the brands I actually respect talk about themselves the least. They don’t need to announce that they’re serious — you can feel it the second you touch the product, deal with their support, read one honest sentence on their site. The volume of a brand’s self-praise is usually inversely proportional to how much it has to be proud of. The empty barrel rings the loudest. The full one you can barely hear.

And being it is honest in a way that looking it never has to be. Looking successful requires you to hide the mess. Being successful requires you to walk straight through it — to say “we don’t do that well yet,” to fire the client who’s wrong for you, to charge what you’re actually worth and lose the ones who only wanted the cheap costume anyway. Honesty is expensive. It costs you the easy yes. That’s exactly why it’s the realest signal there is — it’s the one thing a costume can’t fake, because the whole point of a costume is to avoid the truth the honesty would tell.

Don’t get me wrong. I’m not saying looks don’t matter. I run a creative agency — of course they matter. A good brand makes a true thing legible. The packaging should match the product. What I’m against is the inversion, the thing where the package becomes the product, where the look stops pointing at something real and starts standing in for the absence of it. Lipstick is fine. Lipstick instead of a face is a horror film.

Here’s the test I use on myself now, and I’ll give it to you for free since thinking is free. Take away the audience. Take away the feed, the logo, the website, the watch, the rented car, every single thing built to be seen. What’s left. Whatever is still standing in that empty room with the lights off and no one watching — that’s the business. That’s the brand. That’s you. The rest was set dressing.

For most of us the honest answer is: a lot less than the Instagram suggested. And that’s not a tragedy. That’s the starting line. You can’t build on a costume — you can only build on the small, true, unglamorous thing underneath it once you’re brave enough to admit how small it currently is.

So my ask, to you and to the version of me still tempted to paint the door of an empty house, is the same. Stop optimizing how it looks. Start fixing what it is. Spend the logo money on getting good at the promise the logo is making. Make the inside worth the outside, and then — only then — go make the outside beautiful, because now it’ll be telling the truth.

Build the house first. The door can wait. The door always waits better than the people inside an empty one.

If you’ve got a real thing under there and you walk toward it every day even when nobody’s clapping, I promise you the looking takes care of itself eventually — and it lasts, because for once it’s pointing at something. Keep hustling, stay humble, follow your dreams.

— Nicu